This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
Atelier Golden Taklon Quills bring the perfect amount of color to your surface.
This durable, fine quality brush lays down color evenly and allows excellent control.
Add details and fine lines with its' pointed tip or add a background with broad strokes.
Great for washes, wet-in-wet techniques and blending, too.
It's a good glazing colour.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
The ManùBox # 1 is a selection of 10 Isaro's watercolors.
Tubes 7ML
Rose nacré clair.
Un rose très clair et légèrement nacré
A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.
A beautifull and luminous red. More pinkish than the red cadmium light
The ManùBox # 2 is a selection of 10 Isaro's watercolors
Titanium White
Indian yellow - (Can be replaced by saffron yellow) *
English Red
Cadmium red deep (If you prefer transparent colors you can choose Pyrrole red deep instead) *
Isaro purple deep (You can also choose a phtalo blue if you prefer to widen the range of your primaries) *
Rose Isaro
Indanthrene Blue
Cobalt blue
Satine blue
Turquoise green
Presentation: Box in 100% recycled cardboard - Tube 7ml
* Each artist has his preferences, so you have the possibility of modifying 2 shades of this box so that it corresponds as well as possible to the tutorials that you will follow with Manù.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
Rose légèrement nacré
Golden color, to be used for certain highlights.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
A dark red brown, very beautifull for glazings.
Turquoise légèrement irisé
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.
A deep violet with a touch of red
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
This violet is the mixture of three pigments to created a unique shade of violet