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- Mono-pigmented:: Yes
It's a very pure cool soft white. It's highly regarded by artists.
It's a cool transparency withe. It's excellent for mixtures and glazes
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
It's a good glazing colour.
A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
A beautifull and luminous red. More pinkish than the red cadmium light
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
Golden color, to be used for certain highlights.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
A dark red brown, very beautifull for glazings.
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.
A deep violet with a touch of red
It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
Very beautiful green, turning blue. When mixed with phthalo blue, it gives a very nice range of turquoises. With the yellows to obtain a very wide range of greens. With the earths of earthy greens and with the burnt umber a dark green.
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
Very beautiful green tone less dynamic than phthalo green. The emerald green is bluish.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
Very beautiful earthy green and mono pigment.
This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".
So this blue is very usefull to paint lanscape.
Magnificent bright green with an underlying shade of yellow.
A splendid blue with a rich purple blue undertone.
A deep and intense blue with a touch of red.
It's a basic earthy yellow, ideal for glazes but covers well.
A rich and earthy burnt orange
A rich and earthy burnt orange.