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Pinkish yellow, very close to Naples yellow. Perfect for skin tones.
It's a very pure cool soft white. It's highly regarded by artists.
It's a cool transparency withe. It's excellent for mixtures and glazes
Pinkish yellow, very close to Naples yellow.
Perfect for skin tones.
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.
A very discreet and interesting pink especially to bring softness to certain floral compositions.
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
Rose navré et légèrement orange
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
It's a good glazing colour with a beautifull orangey yellow hue.
This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
It's a good glazing colour.
Magnificent bright color. Indispensable in many mixtures and in particular to compose, with the blues, a large number of mauves.
With the reds it makes it possible to obtain "cherry red" or "raspberry red" tones.
In my opinion, it is one of the very useful colors on a palette.
Rose nacré clair.
Un rose très clair et légèrement nacré
A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.
A beautifull and luminous red. More pinkish than the red cadmium light
A very discreet and interesting pink especially to bring softness to certain floral compositions.
Rose légèrement nacré
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
Golden color, to be used for certain highlights.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
Turquoise légèrement irisé
A dark red brown, very beautifull for glazings.
This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet. So Isaro pink is perfect to paint flowers. It's also a good glazing colour.
Based on blue and phthalo green, this turquoise is nuanced at will with blue or green.
A deep violet with a touch of red
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
Bright and vivid green that can also be created on the palette by mixing using phthalo green PG7 or phthalo green yellow shade PG36; To the latter, lemon cadmium yellow or light cadmium yellow is added or, if it is desired to retain more transparency, light Isaro yellow PY154.
It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.