Pinkish yellow, very close to Naples yellow.  Perfect for skin tones.

It's a very pure cool soft white. It's highly regarded by artists.

It's a cool transparency withe. It's excellent for mixtures and glazes

Pinkish yellow, very close to Naples yellow. 

Perfect for skin tones.

This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow. 

This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.

A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds

It's a good glazing colour with a beautifull orangey yellow hue.

This is  a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium,  bright, very luminous and  an ultra-pure colour.

It's a good glazing colour.

A mono pigmentary's orange. So this orange is very bright with a vibrant and very pure undertone.

A beautifull and luminous red. More pinkish than the red cadmium light

This pure and luminous bright red has a high tint power.
Cadmium red is obtained  by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with  organic reds.

The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone

A dark red brown, very beautifull for glazings.

This cool pink with a bluish undertone is very useful. Mixed with the blues, this quinacridone rose produces a rich range of violet.  So Isaro pink is perfect to paint flowers. It's also a good glazing colour. 

A deep violet with a touch of red

It's a good glazing colour with a subtil and interessant blueish shade. Mixed with white, we obtain a rich range of vivid purple. His tint power is very high.

This violet is the mixture of three pigments to created a unique shade of violet

The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.

This splendid greenish blue is used to create very beautiful  range of greens.

This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.

This light blue produces a colour close to sky blue when mixed with white, hence the reference to "cerulean".

So this blue is very usefull to paint lanscape.

A beautifull an luminous blue.

This blue is a mixture of 3 pigments. Very useful for painting marine

A splendid blue with a rich purple blue undertone.

A deep and intense blue with a touch of red.

It's a basic earthy yellow, ideal for glazes but covers well.

A rich and earthy burnt orange

A rich and earthy burnt orange.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This yellowish-brown is darker than yellow ochre but has the same undertone. This natural earth produces outstanding transparency effect.

This natural iron oxide is a fine rather cold brown with a greenish undertone.

This deep and intense reddish brown has a high drying power. So, is excellent for making preliminary sketches with a very diluated first coat.

This vivid and strong bluish greens a good staple green to produce a large range of greens.