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Pinkish yellow, very close to Naples yellow.
Perfect for skin tones.
This bright, highly luminous yellow is an ultra-pure colour with a touch of green. This cadmium yellow lemon is a yellow much akin to primary yellow.
This is a luminous transparent yellow with the same hue of the cadmium yellow light. Mixed with phtalo green,phtalo blue or indantrene blue, we obtain a interesant range of Transparent green. Mixed with titanium white the result is a very luminous and Opaque light yellow.
A bright, very luminous yellow with an ultra-pure colour.
A warm yellow wich is very precious to produce warm mixes of all kinds
It's a good glazing colour with a beautifull orangey yellow hue.
This is a rich orangey yellow. It's the warmest yellow cadmium. This yellow is , such as all cadmium, bright, very luminous and an ultra-pure colour.
A beautifull and luminous red. More pinkish than the red cadmium light
This pure and luminous bright red has a high tint power.
Cadmium red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue. So, mixed with white his undertone is red and not pink such as with organic reds.
The deepest of the Isaro's cadmium range. This red have a slight hint of violet in its undertone
A dark red brown, very beautifull for glazings.
A strong blue. Mixed with the phtalo green, it produces a luminous range of turquoise.
The bluest of the blues. This blue becomes even brighter when mixed with whites. Very useful for mixing.
This splendid greenish blue is used to create very beautiful range of greens.
This blue is very drier-reactive, accelerating the drying power of the colours with which it is mixed. Tint power is extremely strong.
A beautifull an luminous blue.
This blue is a mixture of 3 pigments. Very useful for painting marine
A splendid blue with a rich purple blue undertone.
A deep and intense blue with a touch of red.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.
A rich and earthy burnt orange
A rich and earthy burnt orange.
Very beautiful blue with a shade having an underlying green tone. Very bright and frank.
With phthalo green it forms very beautiful turquoise. With the yellows of the beautiful greens. With the ocher of the more muted greens and with the pink or the purple Isaro a beautiful range of mauves.
Magnificent blue with an underlying shade of mauve. Very useful for composing magnificent mauves, especially with quinacridones like Isaro pink for example.
With black or burnt sienna, it makes it possible to obtain very beautiful Payne grays and with burnt umber to create a beautiful indigo.
Real cobalt blue with a great purity of tone. Bright and close to primary blue. We can define it as the most blue of blues because it does not draw on green (like Prussian blue) or red (like overseas).
Close shade of natural indigo.
Dark blue with an underlying green hue. This blue is very useful for creating greens, it is actually the blue of greens.
It is a dark blue, which corresponds to a dark reddish blue. It is ideal for nuancing cool colors like violets and blues by giving them more depth. Also useful for forming greens, especially with chartreuse yellow.
Very beautiful light blue, which pulls slightly towards green. Particularly suitable for working the sky.
Gorgeous unique shade of gray blue.
This Transparent iron oxyde with a orangey undertone is excellent for producing luminous and warm glazes.
Un bleu à la teinte unique et légèrement iridescent. Il ravira les aquarellistes qui apprécient les effets et la granulation.
I was inspired by the surprising reflections of a semi-precious stone: apatite.
This blue is grainy and iridescent. It is part of the 2022 Happy Precious Year collection.